Nigel Allan
Member
Pentax LX, 50mm 1.4, ektachrome (100 or 200 ASA most likely). These are the deep colours of slide film without any digital enhancment.
I can't remember the occasion but just found this while looking at old trannies and thought it stood out for its 'immediacy', even though I never printed it at the time. You can see the strap of my other camera over her shoulder as I probably handed her my K2 loaded with black and white and asked her to hold it as I saw a 'colour' opportunity
Thanks for stopping by and looking and I hope you enjoy looking at my 'back catalogue' as much I as I do in rediscovering it and the joys of film
Nigel Allan: Elisabet, summer 1984, London
I can't remember the occasion but just found this while looking at old trannies and thought it stood out for its 'immediacy', even though I never printed it at the time. You can see the strap of my other camera over her shoulder as I probably handed her my K2 loaded with black and white and asked her to hold it as I saw a 'colour' opportunity
Thanks for stopping by and looking and I hope you enjoy looking at my 'back catalogue' as much I as I do in rediscovering it and the joys of film
Nigel Allan: Elisabet, summer 1984, London