Doug Kerr
Well-known member
A recent thread in the Nikon compartment here asked, "Who uses P mode?" As expected, the thread soon degenerated into ideological sparring.
There, the use of P mode was vilified as "giving up all control of the exposure". (I make a similar concession every time I start my Passat and put the transmission control lever in D rather than in the manual up/down side slot.)
Although I never advocated, nor discouraged, the use of P mode (I just jumped in to correct a misstatement about the mode as found on Canon EOS cameras), I was soon reviled as "preferring less, rather than more, control of my camera." Wow! I'll be glad when election season is over!
But the "event" reminded me of an important feature of the Canon EOS cameras (and many other cameras as well): the program shift function. Many have never used it, or even thought about it.
Briefly, what that means is this. We place the camera in P mode, aim it at the scene, and half press. The camera chooses a combination of aperture and shutter speed that will provide the exposure suggested by the metering process, with the balance between aperture and shutter speed empirically controlled by a "program curve".
But suppose we note the choices as shown in the finder, and think, "Oh dear, I had no idea it was so dark in here. I wish the camera had chosen a bit slower shutter speed and a bit smaller aperture." (The IS on the lens will probably let me get by with such a slower shutter speed.)
Well, no problem. Just spin the top wheel a little to the left, and the balance will shift for us (the exposure remaining the same) until we see what seems to be the best compromise . We fire and go about our business.
Now if I had known the general range of scene luminance by visual observation, and was able to solve the exposure equations in my head, I could have put the camera in Av mode and set that ideal compromise shutter speed at the outset. And felt the thrill of power.
But I'm just a telephone engineer.
There, the use of P mode was vilified as "giving up all control of the exposure". (I make a similar concession every time I start my Passat and put the transmission control lever in D rather than in the manual up/down side slot.)
Although I never advocated, nor discouraged, the use of P mode (I just jumped in to correct a misstatement about the mode as found on Canon EOS cameras), I was soon reviled as "preferring less, rather than more, control of my camera." Wow! I'll be glad when election season is over!
But the "event" reminded me of an important feature of the Canon EOS cameras (and many other cameras as well): the program shift function. Many have never used it, or even thought about it.
Briefly, what that means is this. We place the camera in P mode, aim it at the scene, and half press. The camera chooses a combination of aperture and shutter speed that will provide the exposure suggested by the metering process, with the balance between aperture and shutter speed empirically controlled by a "program curve".
But suppose we note the choices as shown in the finder, and think, "Oh dear, I had no idea it was so dark in here. I wish the camera had chosen a bit slower shutter speed and a bit smaller aperture." (The IS on the lens will probably let me get by with such a slower shutter speed.)
Well, no problem. Just spin the top wheel a little to the left, and the balance will shift for us (the exposure remaining the same) until we see what seems to be the best compromise . We fire and go about our business.
Now if I had known the general range of scene luminance by visual observation, and was able to solve the exposure equations in my head, I could have put the camera in Av mode and set that ideal compromise shutter speed at the outset. And felt the thrill of power.
But I'm just a telephone engineer.