![]() |
|
HOME
FORUMS
NEWS
FAQ
SEARCH
|
|
|||||||
| Studio, Portrait, Still Life, Lighting Equipment and Technique Continuous and Strobe Lighting. (The Sun is considered continuous!) Great ideas are really ten a penny! Technique in setting up the subject is, of course, essential. However, the ability to bring out form, texture, tonality and color is where the skill in lighting provides all the keys to engraving one's ideas on the delivered picture. |
![]() |
|
|
Thread Tools | Display Modes |
|
#1
|
|||
|
|||
|
red or blue... i asked my wife ... she wouldn't tell me...
* ![]() red or blue - m hampton i made the picture anyway ... not knowing which colour she was thinking of... |
|
#2
|
|||
|
|||
|
Hi Mark,
Her expression is so captivating, the honesty of the photo is beautiful, refreshing, the lines drawn by the light playing with the selective focus adds a lot of interest. Will we ever know the answer? Ruben |
|
#3
|
|||
|
|||
|
This is a beautiful portrait and I like that the color balance hints on blue. Does that mean blue is the answer? I don't know.
What kind of flash did you use to open the shadows? |
|
#4
|
|||
|
|||
|
Simply beautiful. You are a very lucky man Mark.
|
|
#5
|
|||
|
|||
|
Quote:
![]() portrait of Julia Prinsep Jackson - Julia Margaret Cameron will we ever know if its blue or red ? she wont tell - but it has made me think about a larger body of work based on this idea. |
|
#6
|
|||
|
|||
|
Quote:
there is also a Filter lighting effect (opacity 18%) on the skin (single spot from above) on the green channel (bump map)- this helps define the skin - so no flash - below is the pre shadow image. ![]() red or blue - M Hampton on thing I had in mind here was the shutter speed - i didn't want the image pin sharp - - we used 0.8 sec so there was a small amount of movement - a few images were taken to get to the speed that worked. hope this is useful. Thanks for the question. |
|
#7
|
|||
|
|||
|
Cem, thanks man. but it is my wife who is lucky...
as she wakes up next to this !
|
|
#8
|
|||
|
|||
|
This is Matrix gone horribly wrong, lol.
|
|
#9
|
|||
|
|||
|
Cem, its a beautiful render of me and hdr and jpg
![]() here is the reaction to the image of me ! still not shure if its red / blue or something else that is going throught the mind of the subject. ![]() red or blue - M Hampton cheers |
|
#10
|
|||
|
|||
|
Perhaps the answer is green.
|
|
#11
|
|||
|
|||
|
Cem,
I am a bit worried that her left eye is sharper than the right in real life.... i hadn't noticed before.... could which eye is in focus tell us if its red / blue / or even green ! |
|
#12
|
|||
|
|||
|
Quote:
|
|
#13
|
|||
|
|||
|
Mark, some lovely work on show here.
Red. Looking at the man!! Best. |
|
#14
|
|||
|
|||
|
Quote:
I liked the unprocessed image to - just thought I could lift it with a small shadow... I like the feeling of confinement that the square gives... thanks for the comments.. they are much appreciated.. cheers |
|
#15
|
|||
|
|||
|
Quote:
thanks for the feedback .... the colour and the question and the portraits do open a door to a larger body of work.... worked on one will post it later. cheers |
|
#16
|
|||
|
|||
|
the subject again was asked to think of red or blue - the photographs were made over a period of a minute -
30 exposures were made. The data has then been gathered together and stacked to provide an average over the time... ![]() red or blue - m Hampton cheers |
|
#17
|
|||
|
|||
|
So you like the left side of her face better I presume? It is represented 6 times versus the 3 times for the right side. Also, the focus in the previous pictures were on the left side of her face. Just an observation.
|
|
#18
|
|||
|
|||
|
Quote:
there is only one side on show here. i am not sure if its red or blue before you ask. cheers |
|
#19
|
|||
|
|||
|
Quote:
|
|
#20
|
|||
|
|||
|
Quote:
|
|
#21
|
|||
|
|||
|
Mark
beautiful portrait!! beautiful woman- now from a female point of view I think RED because what I see in her is a deep passion true and full of energy and we all associate red with that definition but the color red is "in her" Charlotte- |
|
#22
|
|||
|
|||
|
Quote:
thanks for the comments... cheers |
|
#23
|
|||
|
|||
|
another from this ongoing series.... still she will not tell me... ![]() red or blue - Deka |
|
#24
|
|||
|
|||
|
If she won't tell you, we will never find out. Another nice use of the square format, very different from the first example. I like it.
|
|
#25
|
|||
|
|||
|
Quote:
this one has more of a slippage in it and is less confrontational - she looking beyond the frame and the viewer. thanks for the feedback it is appreciated. cheers |
|
#26
|
|||
|
|||
|
.
![]() red or blue - Deka |
|
#27
|
|||
|
|||
|
.
![]() red or blue - Deka view from 10 feet to see Sharpe (ish) . |
|
#28
|
|||
|
|||
|
Mark,
Bravo! You made me getting up at 3:00 am because I couldn't sleep totally rewarding. I am so taken by this series of portraits of your lovely wife. I cannot believe that I missed out on this thread as it developed. How can that be? I now come in to be totally in awe of this high intensity and close look at a beautiful young woman in thought. This is important work for us all. There's immediate visual impact. Success at the onset! Then follows a sustained appeal to our empathy as you present more aspects of this exploration of a woman in thought. Again, "Bravo! " Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
|
#29
|
|||
|
|||
|
Mark,
without wishing to divert your well focussed thread, I still have to wonder about your approach here. I'd like to know how similar or different it might be to work you do with inanimate objects with which you have no such emotional and intimate bonding. Do you happen to know? Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
|
#30
|
|||
|
|||
|
Quote:
Mark, I had no idea that the shadows were constructed by you. I accepted that there was some source of high contrast and wondered what could cause that, but never for a moment thought it was not what anyone would have gotten had they clicked the shutter for you! I am impressed with your experimentation with the inspiration of Cameron's shadowed portraits. Your version is boldly different, even dramatic. I hope you'll continue this exploration. Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Question: Does anything but amber and blue contribute to "color temperature"? | Asher Kelman | CM Theory and Practice | 12 | January 28th, 2012 06:43 AM |
| In Perspective Planet: Blue Whales at Long Beach California! | Asher Kelman | Breaking News | 1 | September 14th, 2011 10:45 PM |
| Into the Blue | Ruben Alfu | Landscape - Travel | 3 | December 10th, 2009 10:44 AM |
| Expression in Photography Series by Charlotte Thompson | charlotte thompson | Riskit! | 236 | April 24th, 2009 11:25 AM |