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On the "reach" of a camera

Doug Kerr

Well-known member
Why do we use "telephoto" lenses - lenses with "greater" focal length?

The layman may say, "to bring distant objects closer".

But we know that this doesn't really say anything.

A more meaningful notion is "to make a distant object fill a more substantial portion of the frame than we could otherwise".

But why use a costly and bulky long focal-length lens to do that? We can just crop the region surrounding the object from the total image.

So that is not really the object either.

What is the object is to make get the greatest possible sharpness of the small object field we want in our final frame (the object and however much surround we want in our composition).

Qualitatively, we recognize that if we have a camera with a high resolution, we can successfully crop a smaller fraction of the taken frame and still attain some desired resolution in the delivered image (as related to the object). That is, we can perhaps meet our objective without such a great focal length.

Perhaps, an APS-C sensor camera with a 28 mm lens (such as a Ricoh GR) can do as good a job on a delivered image embracing a certain distant object as a Canon PowerShot G16 with its pitiful "1/1.7 inch" sensor and its zoom lens at its maximum focal length (140 mm ff35 mm equivalent).

But how can we quantify this concept - how can we make actual numerical comparisons?

One way is to speak of a parameter some call the "reach" of the camera, since that term immediately suggests its significance to us. But the actual parameter is the angular resolution of the camera.

By that I mean the number of cycles of resolution per unit of angle of the view of the camera

For example, if, with a certain lens focal length in effect, the angular resolution of the camera is 5 cycles per milliradian (a handy-sized unit), it means that as visualized on the object, for an object at a distance of 100 feet, the camera's resolution is 4.16 cycles per inch.

As a quick approximation, I will assume that the resolution of the camera at the sensor (in cycles/mm) is 1/2P, where P is the pixel pitch in mm. (It will usually be only about 75% of that - Kell factor and all that), but that's OK).

Taking the units into account, the angular resolution in cycles per milliradian is f/2p, where f is the focal length in mm and p is the pixel pitch in µm.

So for a pixel pitch of 10 µm, and a focal length of 100 mm, the angular resolution would be 5 cycles per milliradian.

Now lets look at what this comes out to for some cases that have recently been discussed in connection with comparisons of "compact" cameras.

Case 1: Canon PowerShot G16

Pixel pitch: 1.86 µm

Maximum focal length: 30.5 mm

Thus the reach at maximum focal length is 8.19 cycles per milliradian.

Case 2: Ricoh GR

Pixel pitch: 4.81 µm

Focal length: 28 mm.

Thus the reach is 2.91 cycles per milliradian.

Thus, compared to the GR16 at maximum zoom, the GR is at a 2.8:1 disadvantage with respect to the capture of an object an any given distance.

I will tabulate the "reach" values for other cameras under current discussion shortly.

Best regards,

Doug
 

Asher Kelman

OPF Owner/Editor-in-Chief
Doug,

This starts to be interesting but soon you'll have to address pixels quality or worth in defining a subject if interest. So we'd want to know about imaging subjects if interest rich on detail with some level of variation on contrast and color.

Asher
 

Doug Kerr

Well-known member
Hi, Asher,

This starts to be interesting but soon you'll have to address pixels quality or worth in defining a subject if interest. So we'd want to know about imaging subjects if interest rich on detail with some level of variation on contrast and color.

I'm not sure I know exactly what you're getting at. Could you tell me a little more?

Thanks.

Best regards,

Doug
 

Doug Kerr

Well-known member
Hi, Asher,

This starts to be interesting but soon you'll have to address pixels quality or worth in defining a subject if interest. So we'd want to know about imaging subjects if interest rich on detail with some level of variation on contrast and color.

Please do not impute to my essay that it is a rejection of the advantages of a larger sensor or a rejection of the joys of photography with a fixed-focal length lens of more or-less "normal" focal length.

It was aimed solely at this premise: that we can forgo more "zoom" if we have a high-resolution sensor so that we can "zoom by cropping".

It presents an approach that will simplify addressing the degree that this boon obtains for any given camera.

Best regards,

Doug
 

Asher Kelman

OPF Owner/Editor-in-Chief
The number of pixels caught in an arc are likely of different capability in rendering an image. The 1 micron sensel is going to behave differently than the 4.5 micron sensel. So how does this effect the photographer's goal of recording a subject beyond immediate reach?

Is the sensel size something you are ignoring in the concept of reach?

Or are you assuming light conditions such that it makes no difference?

Asher
 

Michael Nagel

Well-known member
Hi Doug,

The approach has its merits, but for a real camera/system the results differ from this ideal world.
Especially in compact cameras, lenses tend to be 'soft' at the long end which is obviously a decrease in resolution and contrast. Another thing is the lens distortion which is even more obvious on the short end, but introduces inevitably a different cycles per milliradian figure than the pure focal length calculation yields at different parts of the image.

Just as reference - look at the raw files shown in this article about the Canon Powershot S90 on Luminous Landscapes.

Best regards,
Michael
 

Doug Kerr

Well-known member
The number of pixels caught in an arc are likely of different capability in rendering an image. The 1 micron sensel is going to behave differently than the 4.5 micron sensel.

Yes. For one thing, we would expect significantly different "uncorrected" noise performance between the two.

So how does this effect the photographer's goal of recording a subject beyond immediate reach?

It can certainly affect the overall "quality" of the result.

Is the sensel size something you are ignoring in the concept of reach?

Yes. My point had only to do with resolution.

It also ignores such matters as maximum aperture.

Or are you assuming light conditions such that it makes no difference?

Essentially.

Thanks.

Best regards,

Doug
 

Doug Kerr

Well-known member
Hi, Michael,

The approach has its merits, but for a real camera/system the results differ from this ideal world.
Especially in compact cameras, lenses tend to be 'soft' at the long end which is obviously a decrease in resolution and contrast.

Indeed, which is why of course "reach" should be reckoned in terms of actual resolution rather than a crude approximation based on pixel pitch.

Another thing is the lens distortion which is even more obvious on the short end, but introduces inevitably a different cycles per milliradian figure than the pure focal length calculation yields at different parts of the image.

A good point.

Just as reference - look at the raw files shown in this article about the Canon Powershot S90 on Luminous Landscapes.

I'll take a look. Thanks for the reference.

Best regards,

Doug
 
Amen, Doug,

Birders understand this or should.

In simple terms, the idea is to "paint" the subject bird with as many pixels as possible.
There are three ways to do this: shorten the distance, increase the focal length, and increase the pixel density.

Distance: fieldcraft.

My focal length: 400mm...too old to carry around and hand-hold anything larger.
Camera body: Sony A77, pixel pitch 3.9µ.

Caveats: make sure the lens can resolve the pixel density and be aware that smaller pixels are noisier than bigger ones.
 

Doug Kerr

Well-known member
Hi, Winston,

Amen, Doug,

Birders understand this or should.

In simple terms, the idea is to "paint" the subject bird with as many pixels as possible.
There are three ways to do this: shorten the distance, increase the focal length, and increase the pixel density.

Distance: fieldcraft.

My focal length: 400mm...too old to carry around and hand-hold anything larger.
Camera body: Sony A77, pixel pitch 3.9µ.

Caveats: make sure the lens can resolve the pixel density and be aware that smaller pixels are noisier than bigger ones.

Thank you for that very nice, and thorough, summary.

Best regards,

Doug
 

Doug Kerr

Well-known member
A practical measure of the "reach" of a camera is predicated on the fact that the resolution of the camera (in cycles per mm) is about one over two times the pixel pitch (in mm).

Based on that outlook, then the "reach", R, can be conveniently calculated this way (the result being in the convenient unit pixels per milliradian):

R = f/s

where R is the reach in px/mrad, f is the focal length of the lens in mm, and s is the pixel pitch in µm .

On that basis, the reach of our new Panasonic Lumix DMC-FZ200 at full telephoto (600 mm ff35mm equivalent) is 72 px/mr; the reach of our Canon EOS 40D with an EF 18-200 at full telephoto (320 mm ff35mm equivalent) is 32 px/mrad.

The interpretation of reach in this unit is:

The number of pixels (in width) that will "cover" an object feature that is 50 mm wide at a distance of 50 m.​

Another way

If we have the horizontal pixel count of the sensor and the focal length of the lens as its ff35mm equivalent, then we can calculate the reach this way:

R = (Hf')/36,000

where R is the reach in px/mrad, H is the horizontal pixel count, and f' is the focal length as its ff35mm equivalent in mm.

Yes, this is in theory not precise if the ff35mm equivalent focal length is based on the diagonal dimension of the sensor and its aspect ratio is not 3:2.​
Best regards,

Doug
 
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