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| Photography as Art Work the photographer believes might command artistic value beyond their own circle. As usual in OPF, these submissions merit critique based on intent, context and purpose. This might cover technique, composition and the like. To go out in the world, however, far more might be expected, even for things of beauty or great craft. Art criticism is harder. It requires knowledge of the arts, literature, history and esthetics. Criticism comes from study of the photograph and related works. It's an assessment of how this work might stand our culture. As Dante warned: "Abandon hope all ye who enter here! |
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#1
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Another set of three images. In this set, light is the subject. As always, comments & criticism are welcomed.
![]() George Holroyd: No. 4 ![]() George Holroyd: No. 8 ![]() George Holroyd: No. 11 From the series "33 Meters Squared" |
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#2
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George,
Is 33 square meters the entire apartment, including the kitchen, bedroom, balcony, bathroom and hallway, if any? Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
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#3
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Yep, the entire space is 33 sq. meters or about 350 sq. feet. The series contains two exterior courtyard shots and one shot taken through a shop window just outside the building, the rest were taken inside the apartment.
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#4
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Quote:
Quote:
On a more serious note, I'm asking myself the question: 'Is it light you are photographing or is it form?' I know we literally photograph light and I've heard this idea of photographing it in an artistic mode before. I've even considered it once or twice. I'm curious though as to our sub-conscious intent here. Is it the form produced by the light that attracts us more than the light itself? I know we wouldn't have the form without the light but it could work the other way; we wouldn't really have anything to photograph unless there was something for the light to fall upon or eminate from. The reason I ask is that it may influence my response somewhat. If its about the light I'll give you one answer; if its about the form I'll give you a slightly different answer. Both answers will be cordial, polite and heartfelt. Then again, I might get really bored and move on to another thread. I'm feeling a bit that way this morning. I need a walk in the sunshine and their ain't none. Cheers Tom
__________________
I have my parents to thank and myself to blame for what I am. http://notesfromthecamera.blogspot.com.au/ |
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#5
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Tom,
My short answer would be both, light and form. It's short, only because I chose to use the word "light" for no other reason than it struck my fancy. As to any deeper meaning behind why I chose that particular title for the thread, I'm going to have to employ the Helmut Newton defense: "Look, I'm not an intellectual, I just take pictures". |
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#6
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As for Helmut, he was just too lazy to explain, or too up himself to bother. I use that answer from time to time when I get a bit upity. Which is often. Anyway, if something else strikes you, share it with us. As for the pictures, they are a pleasant exploration of the relationship between light and form. The spontaneity of the photos provides us with a glimpse of what you see as a photographer. The use of negative space and the limited tonal values add to the drama. Either that or they are just pictures. You pick. Cheers Tom
__________________
I have my parents to thank and myself to blame for what I am. http://notesfromthecamera.blogspot.com.au/ |
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#7
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Trying to write an Artist Statement is way harder than making photographs, for me at least. A good statement can make a series and I envy those with the ability to talk freely about their art.
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#8
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George
Reminds me of the "Old Art Noir" movies- which I love because of the very subtle shadows of shadow and light- Nice Work now where is your movie? Charlotte- |
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#9
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The easiest way to make a statement is in the language you understand. The rest of us will grapple with it in the best way we can. If 'just take pictures' is part of that, why the **** not? When I'm tired and rude, which is most days, I usually say something like 'because I can, now **** of and leave me alone' Art nuvo or however you spell it is good, Charlotte. Love that genre.
__________________
I have my parents to thank and myself to blame for what I am. http://notesfromthecamera.blogspot.com.au/ |
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#10
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... my $0.02 on "Artist's statements"! You are not making art in a production line, each work comes from some need deep inside you. When you sell art to make a living, it has to be related to some market you naturally attract or can cultivate. If art is for a hobby, or you are dedicated and either satisfied with being poor or already have money, then, you just report your true feelings on the matter. Everyone else can take it or leave it. If, however, there's need to put bread on your table, the artist's statement then is already part of your marketing and so you might then have to take that into consideration. Write down what your art means to you and why you came to this place in life and what you see ahead of you. From that will come your artist's statement. See how this fits in with your marketing goals. Salvador Dali, BTW, had marvelous artistic ability to do what was his fancy, .................and be a brilliant showman and marketer too. He had as his partner a British, ex Air Force officer chap who, I believe retired from psychological warfare operations! Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
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#11
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![]() George Holroyd: No. 4 From the series "33 Meters Squared"[/COLOR] George, I've been returning to this picture several times. It relates well to the other pictures in the series with your wife as model. This particular image gives some sense of being enclosed but still letting in the light to a restricted place. What a good wife you have! Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
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#12
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Number three has promise.
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#13
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__________________
I have my parents to thank and myself to blame for what I am. http://notesfromthecamera.blogspot.com.au/ |
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#14
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#15
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In fact, I remember one of my report cards from school saying: "Tommy is probably good at something. It's just we don't seem to offer it as a subject at this school"
__________________
I have my parents to thank and myself to blame for what I am. http://notesfromthecamera.blogspot.com.au/ |
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#16
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Tom
LOL sounds like you went to Catholic schools like moi' tell ya something when I asked questions for priests and they couldn't answer left me with "undeniable freedom" was in my little girl mind "ok see ya" however there is still a haunting....... C- |
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#17
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__________________
I have my parents to thank and myself to blame for what I am. http://notesfromthecamera.blogspot.com.au/ |
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#18
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I know that scent it's called Holy Water-
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#19
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I like the shapes and lighting.
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#20
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Thanks for the comments, everyone. It appears I may be extending my stay in Paris and might just have use of the apartment for a while longer. Although, I'm starting to think about what projects(s) will come next.
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#21
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I'm happy for you and this opportunity. Plan execute and thank your wife! Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
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