Hey Cem', ain't it always the way. I find a lot of people complaining about superficial things like this too...
There's a lot to be said for living in the moment, without having any comparisons.
Thanks for the comment...
Hey Asher, thanks for your kind comment...
This camera can never ever miss a moment I feel, it'll only be me whose fallible in that way. This camera allows me to be more lighter on my feet, faster in my approach and more discreet of course. I can just wait for something to happen or a scene to present itself, and to never ever be concerned over focusing. It can be a hostile environment on these streets and so it helps to have these abilities I guess.
I have always had a huge interest and respect for 'street' photography and it's in this genre that this camera really excels, and I am so interested and eager to start fulfilling myself this way.
I have a big heart for this subject and in the evenings I am always looking at and digesting images from the great proponents of the subject, from the likes of Andre Kertesz, Richard Kalvar, Garry Winogrand, Joel Meyerowitz etc. right through to Martin Parr, David Solomans, David Gibson, Matt Stuart, Nick Turpin and Paul Russell.
From they're images I try to get my 'eye in' so to speak and to get a feeling of the genre's breadth and what works.
Just lately I have had a serious change of heart in shooting street photography in B&W. I wonder about B&W being a little too anachronistic for this day and age...is it a state of mind, I don't know.
Anyway, it's certainly a feeling...and for me B&W is still far more erotic than colour.