Asher Kelman
OPF Owner/Editor-in-Chief
This is a daughter topic of the original thread here on the exceptional picture with Ludmilla by Graham Mitchell.
Graham Mitchell: Ludmilla
110mm f2 PQ lens, ISO 400, f4
Folks,
This picture is still a favorite of mine, so well thought out and executed, (despite Tom's valid and truthful reports to the contrary from down under). Yes, I admit there's the a sterile dead painted stare coupled with open lascivious thighs to unsettle us and draw us in to the merchandise. But here, in our Vogue-conscious society, it is considered "beautiful, remarkable and artistic". Let me add balance to my strong but perhaps unseeming and unabashed support for this picture. This is the 2012 Fall Season Campaign ad for Ralph Lauren replete with obvious smiles.
Here the smiles are clearly so reserved, modest but enough to be alluring behind a separation space of exclusivity and social rank. They send a challenge to cross this divide by buying into the brands and this be validated as members of some social elite. This gentle conceit of a smile is an tactic to have us reach out the the products as if wearing the fine materials will give women the competitive advantages or status they seek of think they need.
This work is brilliant too. The smiles are indeed smiles, but not really expressions of emotion, just plays in a game, like chess, where a move is part of a chain of events. A real smile, however, is a treasure and does not require anything but genuine emotion and bonding. However, we're so gullible that the posed thin smile works on us anyway!
Asher
Graham Mitchell: Ludmilla
110mm f2 PQ lens, ISO 400, f4
Folks,
This picture is still a favorite of mine, so well thought out and executed, (despite Tom's valid and truthful reports to the contrary from down under). Yes, I admit there's the a sterile dead painted stare coupled with open lascivious thighs to unsettle us and draw us in to the merchandise. But here, in our Vogue-conscious society, it is considered "beautiful, remarkable and artistic". Let me add balance to my strong but perhaps unseeming and unabashed support for this picture. This is the 2012 Fall Season Campaign ad for Ralph Lauren replete with obvious smiles.
Here the smiles are clearly so reserved, modest but enough to be alluring behind a separation space of exclusivity and social rank. They send a challenge to cross this divide by buying into the brands and this be validated as members of some social elite. This gentle conceit of a smile is an tactic to have us reach out the the products as if wearing the fine materials will give women the competitive advantages or status they seek of think they need.
This work is brilliant too. The smiles are indeed smiles, but not really expressions of emotion, just plays in a game, like chess, where a move is part of a chain of events. A real smile, however, is a treasure and does not require anything but genuine emotion and bonding. However, we're so gullible that the posed thin smile works on us anyway!
Asher
Last edited: