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It's the lens, stupid

Doug Kerr

Well-known member
It is said that, to an embryologist, a chicken is just a egg's way to create another egg. And in that same vein, it often seems (and well it should) that the role of a camera is to support a lens.

I've gotten a real appreciation for this outlook as I consider two of my favorite cameras, both Panasonic Lumix models, a DMC-FZ1000 and a DMC-ZS100. Both have the identical sensor ("one inch" size) and processing chain.

The size and weight comparison between these two machines is dramatic:

ZS100-FZ1000_size-01.jpg


In fact, the "body" of the FZ1000 is comparable to the size of a Canon EOS 6D Mark II.

6D2-FZ1000_size-02.jpg


The FZ1000 has a fixed zoom lens with a focal length range of 25-400 mm ff35 equivalent, with an aperture range of f/2.8-f/4.0. The ZS100 has a fixed zoom lens with a focal length range of 25-250 mm ff35 equivalent, with an aperture range of f/2.8-f/5.9. At 250 mm, the FZ1000 lens has a maximum aperture of f/4.0, while the ZS100 is f/5.9, a little over one stop "slower" for the smaller camera.

It seems that the lenses on the two cameras differ not only in their numeric parameters but in performance: for the same focal length and aperture, the images from the FZ1000 are almost always sharper than those from the ZS100. And the lens assembly of the FZ1000 is much larger than that of the ZS100 (and I assume heavier).

So, why is the "body" of the FZ1000 so much larger, and heavier, than that of the ZS100? Well, I guess to make it a "reasonable" bearer for such a larger, and certainly heavier, lens.

So why do I like the ZS100 so much? Because I can put it in my pants pocket. And it doesn't take up a whole place at the table when we go to a banquet meeting!

Best regards,

Doug
 

Doug Kerr

Well-known member
Hi, Peter,

The ZS100 is sold as a Leica as well.

I didn't know that.

I know that the FZ1000 is sold as a Leica (V-LUX, Typ 114). When I got the ZS100 I wondered if it was sold as a Leica, but I could not make the connection.

What is the ZS100 called as a Leica?

Thanks.

Best regards,

Doug
 

Doug Kerr

Well-known member
Here is a comparison between the results with the two cameras (and thus their two lenses). These shots were taken of the same subject, a shelf full of vintage Kodak movie cameras. Both were shot at the same focal length (and thus, as the cameras have the same size sensors, the same ff35 equivalent focal length, namely 200 mm).

Both were shot at ISO 1600 and at nearly the same aperture, around f/5.6. Both were shot with the onboard flash; the ambient illumination was modest, and I didn't want to introduce uncorrected camera shake blur from a long shutter speed into the "picture".

In each case, the small focus area was centered on the center of the two nearby knurled rings on the lens mount we see in the crops below (near the "4-1/2" marking on the focus distance scale).

In both cases we see approximately a 22% × 22% crop, at original camera resolution. The images are ex camera, there having been no external processing (not even exposure compensation to make the two images seem "equally bright").

The images are slightly different in size, a result of an accidental difference in camera location during the shoot (which was done in a very agricultural way).

My apologies for the extra wide images; that's just how it worked out.

First from the Big Dog, the Panasonic Lumix DMC-FZ1000:

Q10514-01-C1.jpg


Panasonic Lumix DMC-FZ1000, ISO 1600, 200 mm ff35 equiv.,
f/5.6, 1/60 sec, onboard flash​

Next from the Pocket Dog, the Panasonic Lumix DMC-ZS1000:

R01169-01-C1.jpg


Panasonic Lumix DMC-ZS100, ISO 1600, 200 mm ff35 equiv.,
f/5.9, 1/60 sec, onboard flash​

The image from the FZ1000 seems to be a little sharper and perhaps to have a bit better contrast.

But it weighs almost three times as much as the ZS100!

Best regards,

Doug
 

Doug Kerr

Well-known member
Hi, Peter,

I think the Leica C-Lux.

Ah, so. Thanks.

Actually, I see now that the Leica C-Lux is essentially the same as the Panasonic Lumix DC-ZS200, which is the successor to the DMC-ZS100, with a larger zoom ratio to its lens (which is however "slower" over its entire focal length range), a somewhat better EVF, and so forth.

I looked into the ZS200, but was a bit concerned that the longer zoom ratio might provide even more compromise in lens performance than in the ZS100 (and I was able to get a used ZS100 for quite a bit less money!).

And as to civilians being impressed, the most prominent legend on the front of the ZS100 is the "Leica" on the lens. Recently, at a civic meeting, the lady sitting next to me looked at the ZS100 and said, "How lovely! I had a Leica when I was in college."

Thanks again for the scoop.

Best regards,

Doug
 

Doug Kerr

Well-known member
Another comparison of interest to me is of the image quality between my Canon PowerShot G16 and my Panasonic Lumix DMC-ZS100, both of these being "pocketable" cameras of very similar size (the Panasonic actually being a little smaller).

But these are very different photographically. The sensor of the G16 gives a 9.5 mm (diagonal) frame (a so-called "1/1.7 inch" sensor), while the sensor of the ZS100 gives a 15.9 mm (diagonal) frame (a so-called "one inch" sensor). The lens of the G16 has a focal length range of 28-140 mm ff35 equiv, with an aperture of f/1.8 - f/2.8; the lens of the ZS1000 has a focal length range of 25-200 mm ff35 equiv, with an aperture of f/2.8 - f/5.9.

To show "comparable images" requires the adoption of "creative accommodation". So with each camera, I framed the scene about the same (and since the aspect ratio of the G16 is 4:3 while that of the ZS100, as I use it, is 3:2, there had to be some imagination used in that regard). Then I took equivalent crops of the area around the "real subject" (the movie camera lens); I took the liberty of upsizing the G16 crop to make the two crops come out the same size on the forum.

As before, both shots used the cameras' on-board flash to bring to a very minimum the prospect of camera shake blur. Both were shot at f/5.6. For the G16, the sensitivity was ISO 800; for the ZS100, it was ISO 1600.

In any case, here is the image from the Panasonic Lumix DMC-ZS100:

R01169-01-C2.jpg


and here from the Canon PowerShot G16:

G09719-01-S800.jpg


As you can see, the smaller sensor G16 really holds its own, other than with regard to noise. Its lens in fact is really superb (and isn't asked to do supernatural things). Still, in this particular exercise, the result from the ZS100 is significantly better, especially considering visible noise, in my opinion.

Best regards,

Doug
 

Peter Dexter

Well-known member
I owned a Panasonic Lumix DMC-LF1 (which came out in 2013). I chose it specifically because it was the camera Leica rebranded as their own point & shoot. I considered that quite a vote of confidence.The camera was just pretty good. The size, features and convenience were factor were great but the image quality/sharpness not so much so. Had I spent the money to buy the Leica branded version I'd have been a very unhappy camper. Also it gave up the ghost on me about a year ago so not a long term investment. I've no doubt though that now five years on they've made many improvements.
 

Doug Kerr

Well-known member
Hi, Antonio,

Doug, the other day just by accident I found this interesting site which may be useful for comparisons...
Yes, It is very nice. I use it all the time.

However, I have not found these camera ...

Yes, sometimes their listing of models is in an odd order. But if you put the key part of the model number (like just 'FZ1000') in the field at the top of the dropdown, usually the camera you are looking for will pop into place!

Note that if you click on the "New! Cameras + lenses" icon on the home page it takes you to another version of the site in which we can see interchangeable lens cameras with any choice of the available lenses on them.

This site:

https://www.apotelyt.com/cam-parator

also is nice for comparing the size of cameras. I used it for the illustrations in my first post in this thread.

Thanks.

Best regards,

Doug
 
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