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Camera shake

Doug Kerr

Well-known member
We are all aware of a hoary guideline regarding the choice of shutter speed to keep to an acceptable degree the "image smearing" caused by movement of the camera during the exposure.

The guideline, initially articulated in the context of full-frame 35-mm photography, suggests that:

With a lens of focal length f, the exposure time should be no greater than 1/f.​

When we take into account the effect of image size on the matter, we can say that this guideline (for better or worse) can be restated as:

With a lens whose full-frame 35-mm equivalent focal length is f', the exposure time should be no greater than 1/f'.​

We recognize that this guideline is very simplistic, and does not take into account any of the following:

• Variations in the "steadiness" of the photographer.
• The moment of inertia of the camera (which comes from its mass and its shape). [A camera with a higher moment of inertia will displace its pointing axis less in the hands of a given photographer.]
• Our criterion for acceptable smearing of the image, including what fraction of the time will we attain it (given that the phenomenon is random).

So the guideline essentially adopts assumptions for all of those (although those are probably not stated anywhere - the guideline was adopted empirically).

[Before I proceed, let me note that here I will only deal with shake due to "angular" displacement of the camera axis; I do not deal with "translational" displacement, in which the camera shifts its position. This is in fact of practical consequence in the case of objects at a short distance. But here I exclude that situation.]​

All that having been recognized, and accepted (since we don't really know how to take account of any of those), we need to recognize a further fundamental assumption of the guideline: that the degree of displacement of the camera's pointing axis (perhaps the standard deviation of that displacement, recognizing its random statistical nature) is proportional to the exposure time. We can recognize this in the guideline through the following train of thought:

• We have a certain situation (with regard to the photographer, moment of inertia of the camera, and so forth). With a focal length of 100 mm, the guideline recommends a shutter speed no slower than 1/100 sec.

• That means that the angular displacement of the axis that occurs during 1/100 sec shifts the image on the focal plane by an amount that we consider to be "just acceptable smearing".

• If we then consider a focal length of 200 mm, because the distance from the second principal point to the focal plane is now twice what it was before (we assume focus at a substantial distance), that same angular displacement will now cause twice the shift of the image on the focal plane (representing twice the acceptable smearing).

• To restore "just acceptable smearing", we must cut the shift of the image in half; thus we must cut the angular displacement in half.

If in fact displacement over the duration of the exposure is proportional to exposure time, we can do that by cutting the exposure time in half.

Since that is in fact how the guideline works, then we can reasonably say that it is predicated upon the fact that displacement over the duration of the exposure is proportional to exposure time.

[In fact, that relationship is intuitively a little hard to swallow. It essentially assumes movement of the camera axis in the same direction at a fixed rate for the entire duration of the exposure. It might apply if the camera was on a tripod which was falling over.]​

Doubtless the major players in today's camera industry have recently developed well-founded, sophisticated models of camera shake behavior, in connection with their work on image stabilization systems. But I suspect that little of this has been published.

A recent article, though, by three "camera phone" researchers at Stanford University, reports their development of such a model, essentially "from the ground up". They needed to do this because:

• The traditional guideline was not based on any real model at all.
• Models developed of late by the "Tokyo club" have not been revealed.
• Camera phones typically have dramatically lower moments of inertia than the cameras presumed by the traditional guideline.

The article is here:

http://scien.stanford.edu/jfsite/Papers/ImageCapture/ICIS06_CameraShake.pdf

I will be reviewing it over the next little while, and will perhaps "publish" here my detailed observations.

One result, though, seemed worthy of reporting now. The work of this study showed that, rather than the amount of displacement of the camera axis during the exposure (actually, the standard deviation of the instantaneous displacement) being essentially directly proportional to the exposure time, it is actually essentially proportional to the exposure time to the 0.56 power.

The implication of this can be grasped from this numerical example:

If for a focal length of 100 mm, with a shutter speed of 1/100 sec (following the "guideline"), the smearing is in fact "just acceptable", then:
• For a focal length of 200 mm, the "fastest" shutter speed to attain the same smearing criterion would need to be about 1/350 sec (not 1/200 sec, as produced by the "guideline").
• For a focal length of 50 mm, the "fastest" shutter speed to attain the same smearing criterion would need to be about 1/30 sec (not 1/50 sec, as produced by the "guideline").

The article also has very interesting material on criteria for assessing image smearing, and how the pixel resolution of the camera impacts the perceptual implications of a certain degree of image shift. But that is beyond the scope of this note.

That's about it for now. Stay tuned.
 

Asher Kelman

OPF Owner/Editor-in-Chief
One result, though, seemed worthy of reporting now. The work of this study showed that, rather than the amount of displacement of the camera axis during the exposure (actually, the standard deviation of the instantaneous displacement) being essentially directly proportional to the exposure time, it is actually essentially proportional to the exposure time to the 0.56 power.

The implication of this can be grasped from this numerical example:

If for a focal length of 100 mm, with a shutter speed of 1/100 sec (following the "guideline"), the smearing is in fact "just acceptable", then:
• For a focal length of 200 mm, the "fastest" shutter speed to attain the same smearing criterion would need to be about 1/350 sec (not 1/200 sec, as produced by the "guideline").
• For a focal length of 50 mm, the "fastest" shutter speed to attain the same smearing criterion would need to be about 1/30 sec (not 1/50 sec, as produced by the "guideline").

The article also has very interesting material on criteria for assessing image smearing, and how the pixel resolution of the camera impacts the perceptual implications of a certain degree of image shift. But that is beyond the scope of this note.

That's about it for now. Stay tuned.

Then, Doug,

IF the conditions you have outlined for acceptable smear are in play, then, for an example, for a 70-200 mm 2.8L IS zoom, for example, very roughly, if one is satisfied with the anti-shake performance at 100 mm then one would go 3 times faster at least at 200 mm and 3 times faster at 70 mm.

IOW, anti-shake shouldn't be considered a fixed remedy for remedy of camera movement.

Another result could be suggested:


Stitching a night panorama:

If one has a "super-fine" lens and a "super-fine" sensor, for example a 24mm T/S II, (manual lens), on a 5DII, it might be better to hand hold at low speeds then a 50 mm manual lens in making a hand held panorama in low light where slower speeds are needed.

Asher
 
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Doug Kerr

Well-known member
Hi, Asher,

IF the conditions you have outlined for acceptable smear are in play, then, for an example, for a 70-200 mm 2.8L IS zoom, for example, very roughly, if one is satisfied with the anti-shake performance at 100 mm then one would go 3 times faster at least at 200 mm
Well, none of this takes into account in any way, or has anything to do with, image stabilization features - do you mean with the IS off?

Then going from 100 mm to 200 mm, you should consider a shutter speed at least 3 times as fast; going from 100 mm to 70 mm, you could consider a shutter speed half as fast.

Best regards,

Doug
 

Asher Kelman

OPF Owner/Editor-in-Chief
Here's the related but manual operation question

Hi Doug,

While we are dealing with keeping smearing degradation of images as low as we can in ordinary shooting conditions, the discussion you have instigated has implications on taking hand-held pictures. After all, out muscle systems are our own biological image stabilization system, (albeit imperfect).

My comment on manual focus is not for the IS off on the 70-20, rather to application of the sense of the matter to our shooting of panoramas in low light.

Stitching a night panorama:

If one has a "super-fine" lens and a "super-fine" sensor, for example a 24mm T/S II, (manual lens), on a 5DII, it might be better to hand hold at low speeds then a 50 mm manual lens in making a hand held panorama in low light where slower speeds are needed.
 

Martin Evans

New member
A confused beginner's question: when is it a disadvantage to have a DSLR's 'antishake' 'image stabilizer' (or whatever the manufacturer labels it) turned on?
I ask this because I have seen the Pentax K-x criticised because it takes many clicks through the menu to turn the shake reduction function on or off, unlike other Pentax K models in which this function is controlled by a switch on the body.
Is there a cost in having the shake reduction always turned on, and if so when would one need to turn it off in a hurry?
Thanks,
Martin
 

Doug Kerr

Well-known member
Hi, Martin,
A confused beginner's question: when is it a disadvantage to have a DSLR's 'antishake' 'image stabilizer' (or whatever the manufacturer labels it) turned on?
The main situation in which having the IS turned off used to be recommended is when the camera is on a tripod.

The servo system that compensates for lens axis motion, like many servo systems, may have a little bit of "hunt" in it (as a result of the designers wanting the fastest response). The amount of hunt is insignificant compared to the movement from camera "shake", so it is part of a good bargain.

But with the camera free of actual shake (as when on a tripod), then the small "hunt" adds blurring (a tiny bit) we otherwise wouldn't have, to no benefit. Thus the suggestion to turn IS off in that situation.

But many of the newer stabilized lenses (all the newer Canons) have logic that discerns when the camera is probably on a tripod (very little shake detected) and disables the servo (to dispose of the "hunting"). So turning the IS off is not really needed for such lenses.

I ask this because I have seen the Pentax K-x criticised because it takes many clicks through the menu to turn the shake reduction function on or off, unlike other Pentax K models in which this function is controlled by a switch on the body.
If that body, like the Canon lenses I mentioned, is smart enough to disable the servo when it seems that the camera is on a tripod (I have no idea), then there would be rarely any need to turn IS off, and the fact that doing so was a little clumsy probably would not be a practical disadvantage.

Best regards,

Doug
 

Martin Evans

New member
Many thanks, Doug, for that very clear explanation.

Do you know what physical principle is used to detect camera shake? Does the system sense an inertial movement, or is instability of the optical image sensed?

I can see that in the case of a camera that is designed to be inexpensive, such as the Pentax K-x, it would be cheaper to enable/disable a function through software rather than through a separate hardwired switch. Especially if the switch etc was to be of professional quality, with gold-flashed contacts and stainless steel spring. Cheap switches often fail too soon.

Regards, Martin
 
Do you know what physical principle is used to detect camera shake? Does the system sense an inertial movement, or is instability of the optical image sensed?

Hi Martin,

Detection is most likely all electronic, with accelerometers. Soft/firmware would be too slow if an optical image needs to be analysed first. From there on there is firmware involved to take corrective action.

Cheers,
Bart
 

Nill Toulme

New member
As I recall, another important assumption that went into the formulation of the hoary old guideline was image size and viewing distance. I believe that guideline assumed a print size of no larger than 8x10, viewed at "normal" distance.

Larger prints and closer viewing dictate more rigor with regard to avoiding camera shake. This point has become all the more important in these troubled times of viewing 18MP images at 100% pixel size on 30" monitors...

Nill
 

Doug Kerr

Well-known member
Many thanks, Doug, for that very clear explanation.

Do you know what physical principle is used to detect camera shake? Does the system sense an inertial movement, or is instability of the optical image sensed?
In most of the systems used in dSLRS, angular motion of the camera axis is detected (in the body or in the lens) with vibrating fiber gyroscopes. There do not have a rotating wheel, but rather a vibrating fiber. (During each half of its vibration cycle, it actually "rotates" about its fixed end, and then "rotates" the opposite way during the "back stroke".) Flies use a similar mechanism (halteres) for attitude control!

If there is angular movement, there is a "precession" force on the fiber (just as there would be on the wheel axis of a traditional gyroscope), which deflects the fiber, and that deflection is detected as its indication.

Some of the new Canon macro lenses detect (and correct for) both angular motion and "translational" motion (where the camera moves from side to side but without change in pointing angle - this can be consequential for work at close distances). I would assume that these might have both gyroscopes and accelerometers, although it probably could be done with two sets of accelerometers at opposite ends of the lens barrel.

I think that in some "compact" cameras this might be done by analysis of apparent motion of the image on the sensor, but I'm not sure.

I can see that in the case of a camera that is designed to be inexpensive, such as the Pentax K-x, it would be cheaper to enable/disable a function through software rather than through a separate hardwired switch. Especially if the switch etc was to be of professional quality, with gold-flashed contacts and stainless steel spring. Cheap switches often fail too soon.

I think that is often a design consideration.

Best regards,

Doug
 

Adrian Wareham

New member
An interesting read: http://en.wikipedia.org/wiki/Image_stabilization

Pentax, from what I read, moves the image sensor to compensate. Huh.

Anyway, reliability isn't a problem for most of the optical IS methods as most use Micro Electro-Mechanical Systems, so the sensor functions like many insects, but is entirely solid state. It appears the Canon-like sensors also don't "move" in quite that sense, but instead, are forced by the motion into a more energetic mode of vibration which, when brought back down to base, gives a measurable value for the energy gained, thus telling it exactly how much it was accelerated and in what direction on its plane.

-Adrian
 
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