Asher Kelman
OPF Owner/Editor-in-Chief
I am impressed with the work of photographer Josh Owens. Not that time lapse is original, but doing it with gear we mostly own is so interesting.
"With the help of a Canon 5D MKII, two Canon 7D‘s, a 16-35mm 2.8L lens, and the 24mm TS lens – Rochester, New York based photographer, Josh Owens edited together a four minute time lapse of New York City. Owens was able to secure prime vantage points at 12 hotels and various other Manhattan locations to create the film."
"Only a short segment of the footage was captured on the 7D, with over 95% of the time lapse film done on the Canon 5D MKII. Owens says he was able to achieve the motion blur during daylight hours, “using Neutral Density filters which limit the amount of light that hits the sensor allowing you to use longer shutter speeds.” All of the editing was done in Adobe Lightroom and Adobe Affter Effects, taking over two hours to render the footage at 1080."
Look at the movie here.
What other work have you seen like this with cameras we own?
Asher
"With the help of a Canon 5D MKII, two Canon 7D‘s, a 16-35mm 2.8L lens, and the 24mm TS lens – Rochester, New York based photographer, Josh Owens edited together a four minute time lapse of New York City. Owens was able to secure prime vantage points at 12 hotels and various other Manhattan locations to create the film."
"Only a short segment of the footage was captured on the 7D, with over 95% of the time lapse film done on the Canon 5D MKII. Owens says he was able to achieve the motion blur during daylight hours, “using Neutral Density filters which limit the amount of light that hits the sensor allowing you to use longer shutter speeds.” All of the editing was done in Adobe Lightroom and Adobe Affter Effects, taking over two hours to render the footage at 1080."
Look at the movie here.
What other work have you seen like this with cameras we own?
Asher
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