• Please use real names.

    Greetings to all who have registered to OPF and those guests taking a look around. Please use real names. Registrations with fictitious names will not be processed. REAL NAMES ONLY will be processed

    Firstname Lastname

    Register

    We are a courteous and supportive community. No need to hide behind an alia. If you have a genuine need for privacy/secrecy then let me know!
  • Welcome to the new site. Here's a thread about the update where you can post your feedback, ask questions or spot those nasty bugs!

Homage: Our Own Pictures Inspired by a Work of Art Get inspired: Elliott Erwitt: "Sequentially Yours"

Asher Kelman

OPF Owner/Editor-in-Chief
79578_C.jpg




79578_3.jpg



This great book of classical photography is a sure stimulus for so many photographers. Read more here. :)


I hope you'll enjoy it too!


Asher
 

Asher Kelman

OPF Owner/Editor-in-Chief
dsc09225CC_2014_ACR B&W.jpg



dsc09226CC_2014_ACR B&W.jpg


Asher Kelman: Kids!

Sony A7R Contax Distagon MM "Anniversary" 28mm 2.0


Just my "downpayment" to get us started. More sequences to follow.

Search your files and "Happy shooting"!

Asher
 

Asher Kelman

OPF Owner/Editor-in-Chief

Yes, that's the style. Is it his? Fab sequence!

What's the story, James? Aren't these from before your birth, LOL!

Well, let's see......EXIF----- it was taken with a 5DII in 2012 at 1/160th sec! So was this at some expo or from the theater or TV screen?

Asher
 

James Lemon

Well-known member
Yes, that's the style. Is it his? Fab sequence!

What's the story, James? Aren't these from before your birth, LOL!

Well, let's see......EXIF----- it was taken with a 5DII in 2012 at 1/160th sec! So was this at some expo or from the theater or TV screen?

Asher

Hi Asher
This was before my Leica days. Why.... what's on your television?

James
 

Asher Kelman

OPF Owner/Editor-in-Chief
Hi Asher
This was before my Leica days. Why.... what's on your television?
James,

I never realized this vintage models could still work with modern broadcast! Do folk really still have such TV sets. This seems like a "collectable". Frankly I was totally into about 1960!

Asher
 

James Lemon

Well-known member
James,

I never realized this vintage models could still work with modern broadcast! Do folk really still have such TV sets. This seems like a "collectable". Frankly I was totally into about 1960!

Asher

I love B/W movies but I only have just one channel. LOL

James
 

Asher Kelman

OPF Owner/Editor-in-Chief
Once again the Farmers' Market in Beverly Hills, a social place for men too to catch up and explain one's plans and argue for what consumes them most!


dsc09253CC_2014_ACR_B&W.jpg




dsc09254CC_2014_ACR_B&W.jpg




dsc09255CC_2014_ACR_B&W.jpg




dsc09256CC_2014_ACR_B&W.jpg




dsc09257CC_2014_ACR_B&W.jpg




dsc09258CC_2014_ACR_B&W.jpg



Asher Kelman: Men Catching up!"

Beverly Hills Farmers' Markety July 5th 2015

Sony A7R with Zeiss Contax MM,
28mm 2.0 "Anniversary" Lens


I am fascinated with such encounters all over the market! This one was surprisingly deep and concentrated and lasted over five and a half minutes!

Perhaps markets are also therapeutic, LOL!

Asher
 

James Lemon

Well-known member
Once again the Farmers' Market in Beverly Hills, a social place for men too to catch up and explain one's plans and argue for what consumes them most!


dsc09253CC_2014_ACR_B&W.jpg




dsc09254CC_2014_ACR_B&W.jpg




dsc09255CC_2014_ACR_B&W.jpg




dsc09256CC_2014_ACR_B&W.jpg




dsc09257CC_2014_ACR_B&W.jpg




dsc09258CC_2014_ACR_B&W.jpg



Asher Kelman: Men Catching up!"

Beverly Hills Farmers' Markety July 5th 2015

Sony A7R with Zeiss Contax MM,
28mm 2.0 "Anniversary" Lens


I am fascinated with such encounters all over the market! This one was surprisingly deep and concentrated and lasted over five and a half minutes!

Perhaps markets are also therapeutic, LOL!

Asher

Its an interesting commical set Asher! It looks like someone is being held hostage by a desperate salesman.

James
 

Asher Kelman

OPF Owner/Editor-in-Chief
Its an interesting commical set Asher! It looks like someone is being held hostage by a desperate salesman.

James

I never thought of that possibility. I think they are just old friends and neither of them is connected to that booth! I'll look out for that place next time!

Asher
 

James Lemon

Well-known member
So did the girl with glasses just walk on after kicking the cup of coins?

Hi Asher

No they always stop and pick up the coins and put them back in the cup. Sometimes because of guilt they would make a small donation. I have other similar scenes but always the same setup and outcome. They had no idea what was happening to them. Strange eh?


Best, regards

James
 

Jarmo Juntunen

Well-known member
Nice touch, Asher and James! This little sequence would look better in bw but I don't have access to the original photos now so this will have to do ...

shhhhhhhh.....


_smaller.jpg





...kaboom

_smaller.jpg

 

Asher Kelman

OPF Owner/Editor-in-Chief
Jarmo, that canon artillery works for me! Your lad there is smart protecting his precious eardrums!

Asher
 

Doug Kerr

Well-known member
Hi, Asher,

dsc09225CC_2014_ACR B&W.jpg



dsc09226CC_2014_ACR B&W.jpg


Asher Kelman: Kids!


Just my "downpayment" to get us started. More sequences to follow.

Great shot. Didn't notice it earlier.

Interesting the misspelling of CRÊPES (as CRÉPES) on the sign! An acute error.

Best regards,

Doug
 

Asher Kelman

OPF Owner/Editor-in-Chief
The movement of the sea in Lisbon - 4th August 2015

i-zzttT3q-X2.jpg



Sea in Portuguese coast


i-4tXXLzf-X2.jpg



Antonio

I appreciate so much these pictures as I had the extraordinary opportunity to witness these same waves just days ago with you in Lisbon!

I find the second set especially interesting as it does not have the sense of complexity of construction i hereunto in the first set, where there are more components. This last set work well. Now m,right a triptych be even stronger? I don't know. what I do admit, however, is that I was, at the time, more focussed on trying to frame moving people and, at those moments, missed missed the richness at my feet that you saw.

So much of photography is an openness to "seeing". but there's much more. The presentation must consider what is placed next to each picture as the order creates that atmosphere and context of the work.

I am enjoying this so much!

Asher
 

Asher Kelman

OPF Owner/Editor-in-Chief
Hi, Asher,



Great shot. Didn't notice it earlier.

Interesting the misspelling of CRÊPES (as CRÉPES) on the sign! An acute error.

Best regards,

Doug


Thanks for dropping by and catching my picture. I enjoy that Elliott Erwitt can inspire us to create more than we would have done without him!

Asher
 

Asher Kelman

OPF Owner/Editor-in-Chief
i-m4CHXWg-X2.jpg


Yes the trpich works!

I am enjoying your brave ventures, Antonio! This last one has much promise as the colors are spectacular and one can feel the angry energy of the waters thrashing the rocks!

Asher
 

Antonio Correia

Well-known member
I have been thinking that I could make a series of images under the title/subject "Sea" looking forward OPF Gallery 2016...

i-ht2jkRN-X2.jpg
 

Asher Kelman

OPF Owner/Editor-in-Chief
Antonio,

These pictures have a simple but rich color palette going for it.

I'd think the water must be remarkably changing or each picture reveals either progressively less or progressively more.

Have you done any more experimentation with this triptych idea. Do you think it might be better to have the narrow from in the center or perhaps have a wildly wide first image, a regular image at the center and your narrow one at the right. If the geometry is neither equal but not dramatically asymmetrical it might not work as well.

Looking forward to a surprise. It should really be a progression in a sequence to fit in with the O.P.

Asher
 
Top