Cedric MASSOULIER
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- Thread starter Cedric MASSOULIER
- Start date
Asher Kelman
OPF Owner/Editor-in-Chief
Hi Cedric,
This is a novel piece. Tell us the story behind it. I find the use of shadow important. If it's available I'd use several lights but the shadows may well be better projected separate from this physical shape and spread on the wall without being blocked by the form itself.
Asher
This is a novel piece. Tell us the story behind it. I find the use of shadow important. If it's available I'd use several lights but the shadows may well be better projected separate from this physical shape and spread on the wall without being blocked by the form itself.
Asher
Cedric MASSOULIER
New member
Hi Asher,
I shot this one in fine arts museum of Besançon. I like to shot in museums because they present interesting pieces of art and also because the light is often very well managed in these places. Here, i was interested by pure shapes (which evoke hands to me...) and i used the shadows to complexify the comp. But i don't know who is the author of this sculpture nor what it represents...
Cedric.
I shot this one in fine arts museum of Besançon. I like to shot in museums because they present interesting pieces of art and also because the light is often very well managed in these places. Here, i was interested by pure shapes (which evoke hands to me...) and i used the shadows to complexify the comp. But i don't know who is the author of this sculpture nor what it represents...
Cedric.