Here is a link to my production version of my adaptation of the Sousa transcription for band of the hymn, "Nearer, My God, To Thee" as an MP3 file:
http://dougkerr.net/music/Nearer_my_God_to_Thee.mp3
Here is the story, taken from the Program Notes to the musical program for my funeral:
John Philip Sousa, then conductor of the United States Marine Band, prepared a band transcription of the beloved hymn "Nearer, My God, to Thee" to be performed by the Band at the funeral of President James A. Garfield in 1881.
In 1892, Sousa gave up the baton of the Marine Band and formed his own “commercial band”, The Sousa Band. He wished to include Sunday performances in the band’s schedule, but was concerned that religious leaders might feel that such a secular activity was inappropriate on the Sabbath.
To defuse such criticism, he included in his Sunday performances his own band transcriptions of a number of hymns and other sacred pieces. Among these works was "Songs of Grace and Songs of Glory", a medley of five religious numbers in which he included an updated form of his earlier transcription of "Nearer, My God, to Thee".
In recent times, Keith Brion, noted Sousa scholar and founder and conductor of The New Sousa Band, and Loras Schissel, founder and conductor of the Great Virginia Military Band and curator of the Sousa collection at the Library of Congress, prepared a new transcription for band of Songs of Grace and Songs of Glory, which was frequently performed by The New Sousa Band, often with Schissel as guest conductor.
The orchestration is for 2 flutes, 2 oboes, 2 Eb clarinets, 2 Bb clarinets, bassoon, baritone saxophone, cornet, two trumpets, two horns, two trombones, euphonium, tuba, tympani, and a set of extended-range tubular bells (with compass Bb3-Bb5).
I extracted the Nearer, My God, to Thee portion of this score, adapted it, and transcribed it into an electronic score for performance on a modern sequencer-synthesizer. [It is such a performance we hear in the MP3 file]
A hallmark of the arrangement is the recurring ostinato which first appears in the solo bassoon at the beginning of “verse 2” (referencing the choral hymn). At the midpoint of that verse, the bassoon is joined in the ostinato by the euphonium and tuba. At the beginning of “verse 3”, the clarinets (Eb and Bb) join in the ostinato, along with the tubular bells playing in octaves a variation of the ostinato evocative of change ringing.
Hymnologists will note that the tune upon which this work is based is that generally used in America for the hymn "Nearer, My God, to Thee" (
Bethany, Lowell Mason). A different tune (
Horbury, Dykes) is used for the hymn in Great Britain, and two other tunes (both due to Sir Arthur Sullivan) have been used from time to time.
The bassoon, tubular bell, and euphonium parts in this arrangement are dedicated to certain friends and family members, players of those instruments.
Best regards,
Doug