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Asher Kelman's Public and Private Art Yes I photograph for many reasons. Much of my work has been with public charities to pay back for the opportunities given to me all my life. This year I'm going public with Photography shows and sculptures submitted for folk to enjoy in city gardens and parks. So let me share with you what I do! |
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#1
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![]() I plan to share a few from a studio shoot earlier this: one of two lovely new friends from France. ![]() Asher Kelman: French Model #1 March 2018 Los Angeles jpg out of the camera, not edited Asher
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Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#2
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She is almost wearing those wheat fronds in her hair. The cloth table covering is curious. In some areas the outer ring dots have lost their color. Do the French snack on tomatoes?
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https://colombianature.smugmug.com |
#3
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Yes, she’s into the fronds. The cloth does have two materials. Could be that my lights have caused the effect you see. It,s white light and perhaps I need to correctvthis with a luminous mask. The french do actually love tomatoes! However she’s eating persimmon! Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#4
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The “dots” are round openings, empty spaces. So on the left, one sees either “camel hair color” the hue of the cloth, or where there is space, black.
Near the lights, the cloth underneath is reflecting as white. I could even those out during processing from raw. Thanks for pointing out the disparity. I will look out for that next time! BTW, there are no “tomatoes”. Those are all delicious persimmons and they get eaten fast! Asher
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Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#5
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That explains it. I should have noticed.
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https://colombianature.smugmug.com |
#6
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A wonderful composition Asher... I like it! The glass vase would bounce the light around a fair bit too might want to consider a bit more decoration. Some type of material around the vase.
Best, Regards James |
#7
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Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#8
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![]() ![]() Asher Kelman: French Model #2 March 2018 Los Angeles jpg out of the camera, not edited
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#9
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Nice colours and I am left with the thought of what is underneath? Too much whites in the eyes for me. I think it is best to have the models eyes follow their nose. Best, regards James |
#10
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Whites in the eyes? That’s a trompe de l’oeil for you! It only appears that way as the bg is black. There image is out of the camera and uncorrected!
But when I process it from RAW I will look out for that “effect”. Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#11
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It has nothing to do with processing. It is simply a matter of directing the model to have her eyes follow her nose, regardless of which direction the model turns their head. In this case here eyes are looking directly at the camera and her nose is in a different direction and thus too much of the whites in her eyes showing for my tastes. Best, regards James |
#12
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I understand your concept now! But I wanted her to decidedly look away from her nose, and at us! I will think about your own preference for eye-nose alignment in portraits to prevent “too much white sclera” showing. I had never myself worried about that, but it’s certainly a relevant consideration in posing. Thanks for your input! Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#13
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Lovely. My preference is the first one. I find the second one is missing some lights despite the conversation about the whites of the eye. There is a missing brilliance to my way of seeing that seem to be being absorbed by the material of the blanket. Perhaps a lighter background would change things for me.
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http://www.jeanhendersonart.com |
#14
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Thanks, Jean,
These are out of the camera. I will consider your ideas! Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#15
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It's funny how everyone has a different opinion. I love the second one where she is wrapped in a blanket and like her gaze peeking out at us through the thick tussle of hair. The dark background and the color blanket work so wonderfully with her skin tone and hair color and I find it fabulous.
But if we all loved the same things, life would be boring, wouldn't it? Maggie
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there's a crack in everything; that's how the light gets in ~Leonard Cohen my personal website my website with articles,interviews etc. |
#16
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I was thinking about this one again today. I kept thinking, would we remember The Girl with the Pearl Earring if she wasn't looking straight at us?
__________________
there's a crack in everything; that's how the light gets in ~Leonard Cohen my personal website my website with articles,interviews etc. |
#17
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The earring appears to be the illusion from light behind her he’d appearing between her hair and the back of her neck! Without that stare, nothing would be positioned so precisely and we would not conjure up that perfect pearl, which is not there! I need to add a spot of light in my photograph, to the same effect! Hilarious! Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
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french model, muse |
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