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#61
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![]() I just came across this. So, let me see if I have this right. I select 6 shots and post them here. If they meet the criteria I would need to print and matt them to one of the sizes mentioned and ship them to you, Asher. Is it as simple as that? |
#62
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-Adrian |
#63
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The assembled collection will be submitted in May to the gallery. If my curating is accepted, then the exhibition will be "on" some time starting November/December 2013. Otherwise, we further refine it for early 2014. If the standard is not high enough, we'll delay the presentation. Asher
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Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#64
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Sent the two pics in two e-mails. Let me know if you receive them.
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#65
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Thanks! Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#66
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#67
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This was the metadata from the picture in the forest: 42mm (18-135mm ef-s lens), 1250 ISO, 1/30th, and f9.
Do those seem as unusual to you as they do to me? |
#68
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It appears you had the camera in one of the automatic modes and also may have had the auto ISO feature turned on. Certain (if not all currently produced) Canon cameras will maintain a shutter speed of 1/30 when in auto ISO mode, it's a bit of a bug, IMO. There is nothing wrong with shooting in "auto" mode, but you should familiarize yourself with how your particular camera meters light. The reflected light meter in your camera can be easily fooled by a variety of lighting situations and a heavily back-lit scene is one of them. It can make for some weird exposure settings.
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George E. Holroyd III |
#69
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edit: when I was trying those settings (figuring it can't hurt to try), suddenly the picture was noticeably better ... maybe just freak conditions? |
#70
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I shouldn't have assumed, but those seemed to be the product of a meter trying to average a high contrast scene and defaulting to it's programming. Were you using a tripod? I ask because 1/30 of a second is a slower shutter speed than most could hold steadily with a DSLR, even at a focal length of 42mm.
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George E. Holroyd III |
#71
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#72
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What are we missing here? School yards, prison yards, railway yards (post #52), thank you michael!!...... warehouses, barns, .........?
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#73
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#74
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Since I see pictures taken in a fancy fair, let me add this series I had already posted some time ago on the forum:
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#75
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We need everyone to act on their own impulse to see connections and announce them. That way we inform each other and expand the motif. Afterwards, if need be we can slay our darlings! Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#76
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I do not call myself an artist, I just try to capture what I see. If you need many words to describe what your picture means, it doesn't speak enough for itself. my photos on flickr - here is the portion posted in OPF. |
#77
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![]() I wonder how is it that some images manage to have a sense of space, like the second picture. What do you think it is and how do we hone in on this quality? Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#78
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Things seem to be swinging toward urban landscape, lots of spaces and few souls to be seen. With that in mind, I offer the following. As always, I am open to any comments and/or criticism.
Theme: Urban environmental (whatever) Medium: To be determined ![]() Untitled, Milan, 2012 ![]() Untitled, Milan, 2012 ![]() Untitled, Paris, 2013 ![]() Untitled, Paris, 2013 ![]() Untitled, Paris, 2013
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George E. Holroyd III |
#79
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There is a cool back story to this set. I'm trying to finish another folio of these in the next few days/weeks and get it out. Seriously thanks man!
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No electrons were harmed in the sending of this message! My stuff: Home Page, Blog, Facebook, or Twitter Hog Heaven Production Blog now online! |
#80
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MAN! I love Milan! That street scene rocks! The others are really spectacular too. But that one jumped out of my monitor and slapped me silly!
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No electrons were harmed in the sending of this message! My stuff: Home Page, Blog, Facebook, or Twitter Hog Heaven Production Blog now online! |
#81
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WOW....love those colors! Looks a lot like pigment over platinum prints....
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No electrons were harmed in the sending of this message! My stuff: Home Page, Blog, Facebook, or Twitter Hog Heaven Production Blog now online! |
#82
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Terry, I was thinking I'd seen that color palette before; very special indeed and exactly as our good friend Jim Collum does! Look at his work in exhibition here in post #5. Thanks for recognizing this modern-classic approach of pigment over platinum. Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#83
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I love the look....AMAZING and a TON of hard work...but the results are well worth it.
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No electrons were harmed in the sending of this message! My stuff: Home Page, Blog, Facebook, or Twitter Hog Heaven Production Blog now online! |
#84
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For the record, I took my pictures and published them on this forum about 2 years before the thread from Jim Collum. |
#85
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Only the color palettes and fair equipment are similar. The locations and techniques are so different and each photographer's work is unique and has it's own charm. Still, by coincidence of similarity, they do seem related, just as romantic sunsets and images of the Eiffel tower or London Bridge. There's no evidence that one was influenced by the other. If one has good esthetics and has a background in taking pictures of architecture, respecting form, (at which both these photographers are so accomplished), then these careful, orthogonally made pictures would be the esthetic chosen. I would not shoot like that as I'd go for some special angle or ultra-wide. It so happens that we have two fine photographers who know structure very well. nothing more, nothing less. But the pictures are different! Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#86
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Whoa! Am I ever late showing up! I've been (slowly) working on light and lighting techiniques since late January, mostly with people. I've been pretty much keeping to myself since then. I haven't even read the whole thread yet, but it's definitely now scheduled for tomorrow! Then I'll have to do some thinking about what to submit. Are all the urban/outdoor images taking over as an overall theme or would some people fit it as another category?
Jean
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http://www.jeanhendersonart.com |
#87
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#88
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Thank you, Terry. That is one of my favorites from Milan.
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George E. Holroyd III |
#89
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A boost to remind folk, we're still in need of images: large spaces, tiny spaces, personal or imaginary.
![]() Also if you have other great stuff, (no nudes this time), we'll try to modify the title. In the end the curating task is to classify images so our collection appears as one entity joined together by sub-themes and /motifs. Your support is appreciated. Asher
__________________
Follow us on Twitter at @opfweb Our purpose is getting to an impressive photograph. So we encourage browsing and then feedback. Consider a link to your galleries annotated, C&C welcomed. Images posted within OPF are assumed to be for Comment & Critique, unless otherwise designated. |
#90
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OK, I have two more sets, I'll start with Venice (not the touristy stuff except maybe the first one):
Best regards, Michael
__________________
I do not call myself an artist, I just try to capture what I see. If you need many words to describe what your picture means, it doesn't speak enough for itself. my photos on flickr - here is the portion posted in OPF. |
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Thread | Thread Starter | Forum | Replies | Last Post |
Workshop Opportunity: Arizona November 1-4 2013 | Asher Kelman | Breaking News | 4 | February 17th, 2013 09:18 AM |