![]() |
|
HOME
FORUMS
NEWS
FAQ
SEARCH
|
|
|||||||
| Studio, Portrait, Still Life, Lighting Equipment and Technique Continuous and Strobe Lighting. (The Sun is considered continuous!) Great ideas are really ten a penny! Technique in setting up the subject is, of course, essential. However, the ability to bring out form, texture, tonality and color is where the skill in lighting provides all the keys to engraving one's ideas on the delivered picture. |
![]() |
|
|
Thread Tools | Display Modes |
|
#1
|
|||
|
|||
|
Often when shooting outdoors we will use flash for "fill". There is often a question as to what "potency" of flash (perhaps expressed in terms of guide number) is needed to attain some desired balance between ambient and flash exposure.
It is interesting to look at this in a "homey analytical" way. I will start with a certain straightforward model. Assumptions Ambient illumination. I will assume an ambient illumination corresponding to that which is the premise of the "sunny 16" guideline for outdoor exposure. Under that guideline, if we are shooting at ISO 100, then for a scene with a "typical" distribution of reflectance, we will attain an "appropriate" distribution of photometric exposure by shooting at f/16, 1/100 s. We get that ambient illumination here in North Texas at mid-day in mid-winter, or in summer on a lightly overcast day.Guide number. I will assume that shooting as suggested by the guide number of the flash unit will produce, on a subject surface of any given reflectance, the same photometric exposure as would be attained by a shot under "sunny 16" ambient illumination. (That is, the "guide number" scheme aims for the same distribution of photometric exposure as the "sunny 16" scheme.) Unit of distance. I will work here with distances in meters, so that the guide number results will be in meters, perhaps the most common way to state guide numbers. Fill balance. I will assume,. for the moment, that our objective is to have the same photometric exposure from the flash illumination as we would have from the same subject surface under "sunny 16" ambient illumination ("balanced fill"). That of course is not always our objective, but the result will give us a point of reference from which we can proceed to the needs of an individual case. Shooting distance. I will assume a distance of 3 m (about 10 ft) from the flash unit to the subject. Shutter speed. I was assume shooting at a speed of 1/200 sec (roughly the X-sync shutter speed limit of many cameras of interest. Aperture If we shoot at ISO 100, with the assumed shutter speed of 1/200s, then, for "appropriate" ambient exposure under the "sunny 16" guideline, our aperture should be set to f/11. That aperture will then be assumed in reckoning the effect of flash exposure for our dually-illuminated shot. The result For the situation and assumptions above, the needed flash unit guide number (ISO 100 basis) is 33m. Effect of ISO sensitivity This result is independent of the ISO sensitivity at which we work. The appropriate aperture would of course change. Adaptation to other situations If we wish that same "equal" flash-ambient balance but at a shooting distance of 5m (about 16ft), the guide number would need to be about 55m. At a shooting distance of 2m (about 6.5ft) the guide number would need to be about 22m. If we return to a shooting distance of 3m (10ft) but want a flash fill exposure one stop less than we would have from the "sunny 16" ambient, then the needed guide number would be about 23m Flash units The reported maximum guide number (ISO 100 basis) for selected flash units is as follows: Canon EOS 40D onboard flash unit: 13m Canon Speedlite 580EX II: "50mm" beamwidth: 42m; "105mm" beamwidth, 58m* Canon Speedlite 270EX: "28mm" beamwidth: 22m; "50mm" beamwidth: 27m* * From which it gets its "name". Best regards, Doug |
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| The "potency" of light | Doug Kerr | Imaging Technology: Theory, Alternatives, Practice and Advances. | 7 | July 23rd, 2010 06:07 PM |
| Describing the "output" of a flash unit | Doug Kerr | Studio, Portrait, Still Life, Lighting Equipment and Technique | 3 | July 20th, 2010 11:22 AM |
| The mathematics of "flash fill" | Doug Kerr | Imaging Technology: Theory, Alternatives, Practice and Advances. | 5 | May 15th, 2010 09:59 AM |
| flash output indication | Ralph Honsbeek | Gear Support: Bags/ Cases/ Tripods/Transport or anything else needed for a shoot! | 5 | August 30th, 2009 12:50 PM |