Hi Ramesh,
I'm glad you reappeared. This is a new forum so we are all finding out how to use this new home. You are not the only one, by any means.
It so happens that we are indeed framing policies on how and where pictures will be posted.
Certainly in the "Photography as Art" forum, one picture at a time is reasonable, since that's how a print is made.
Here, it may be a different story and I will need to get other points of view from the moderators. I take seriously all imput then we can have the best policy.
To your work. It was a pleasure to go through your website. I have favorites: 0493 with the fence and the tree in blossom, 0493, 530 the red tulips: one is a bit torn by nature and look like a character one might meet, 0531, well composed, I like the assymetery,
The ships in the fog are wonderful: have a great sense of time about them. Waitng for the mist to clear, or perhaps it will stay that way for ever. jogging on a foggy day and then of course the hanging pots in the market.
So you have a great amount of interesting work.
One thing I can see is that, perhaps, some of your pictures, such as the ones you posted of sunrise and sunset, could benefit from an extra border to define a "white matt", as you have in your website with Sunset Silhouette
http://www.world-of-photos.com/
I'm wondering whether, in addition, a further charcoal frame around that, would define space around you pictures here so that they can be more easily viewed. I think my viewing experience was better in your own website! Strange, since art galleries almost always have white walls!
Something we might think about in posting images in general.
Now to these three images.
This is the landscape forum.
So let's imagine you have indeed chosen the very first picture. Let's imagine just for now, we all want to look at one image at a time, (of course knowing you have so much more).
I'd like to know what you have in mind for this passing ship and how it got to its current look. What does it mean to you and what would you like to convey? What is your intention about range of tones. Have you already reduced them?
We always should try and learn, if possible, about the author's intentions; that is where your voice comes in to guide us! Otherwise, comments might be less about the work of art and more informed, I'm afraid, from the baggage that we, the observers carry.
I don't like the word "critique". We, instead share and exchange ideas, experiences and points of view. My mind is open.
Asher