Michael Fontana
pro member
Sometimes, to get the correct WB isn't easy, mixedlight-situations are a example for that:
The yellowish tends to be ok for the outside light, plus has the notion of interior light to be yellowish - tungstene - meanwhile the blue/green one shows best the inside.
Virtual copies in a converter are a good help, for nailing it down.
I finally decided for the blue version, as it emphazise the shots intention: the interior.
Maybe strictly tecnically lightwise, its not correct - a bit more of yellow would have given a better impression of a dusk, but then the important green would have been °corrupted° - in between was dull.
Some of you members would favorise the yellow one - and why?
The yellowish tends to be ok for the outside light, plus has the notion of interior light to be yellowish - tungstene - meanwhile the blue/green one shows best the inside.
Virtual copies in a converter are a good help, for nailing it down.
I finally decided for the blue version, as it emphazise the shots intention: the interior.
Maybe strictly tecnically lightwise, its not correct - a bit more of yellow would have given a better impression of a dusk, but then the important green would have been °corrupted° - in between was dull.
Some of you members would favorise the yellow one - and why?