Asher Kelman
OPF Owner/Editor-in-Chief
Returning to Los Angleles means being embedded in traffic for up to 2 hours. If I drive myself, I feel imprisoned, as the sun starts to slowly drop in the sky and I pass all these scenes I want and seem to "need" to photograph.
I wonder what the biological basis is for a photographer's quest for the next awesome image, like an addict trying to find his next "fix"!
The solution, is to spend more time with one of my helpful muses who can drive while I can stare out the window, enjoying my moving show of landscapes and industrial concretions of brick, concrete and steel.
This allows for some dramatic photography, and that is my treat with Kirstie, my muse, at the wheel. We pass a lot of power lines and I like to catch the sun behind the giant pylons.
Asher Kelman: Power Lines
Fuji GFX 32-64 mm
64mm, 1/4,000 sec, F 11.0, ISO 1600
Processed from RAW in Photoshop CC
Nik Filter for Output Sharpening
More to come!
Asher
I wonder what the biological basis is for a photographer's quest for the next awesome image, like an addict trying to find his next "fix"!
The solution, is to spend more time with one of my helpful muses who can drive while I can stare out the window, enjoying my moving show of landscapes and industrial concretions of brick, concrete and steel.
This allows for some dramatic photography, and that is my treat with Kirstie, my muse, at the wheel. We pass a lot of power lines and I like to catch the sun behind the giant pylons.
Asher Kelman: Power Lines
Fuji GFX 32-64 mm
64mm, 1/4,000 sec, F 11.0, ISO 1600
Processed from RAW in Photoshop CC
Nik Filter for Output Sharpening
More to come!
Asher
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