Thank you Asher for your comment.
Technical aspects are only a way to achieve the image we create/conceive/ imagine and should be considered when and if, we have not reached the target/goal.
Curious your question about the window on the our right (his left). And it is curious because it is precisely the other way around, the window is at our left and the light coming from the right is from a snooted flash I placed hanging on a door.
I even thought that it was too strong on his back and that would be something to correct.
On the other hand and what puzzles me more - in this image of mines - is the too dark shadow on the left, projected on the door by the bouquet.
But let us look at this one supposedly from Sebastião Salgado. I couldn't verify the authenticity as I got the URL from a blog where it stated the image is from him. The blog is reliable for me.
Does the big white spot on the background bother us ? Or doesn't it just because it is an image from Sebastião Salgado ?! If it really is ...
Let's look at another one which happens I do know the author
Isn't this image at the same level ? Of quality I mean...
A couple of hours ago I asked someone I know from 10 years old if he would let me take his photograph as he is important enough to my theme.
He told me that he would think about it. It is his right, indeed.
But would he say the same if I were Sebastião Salgado ? No he would not.
This makes me smile and let's come back to the dark spot.
When I made the treatment on this image I almost didn't noticed it and give it little importance. Someone else later told me about it and I agree.
OK. I do agree but I wonder if that spot ever justifies the repetition of the session.
Just some thoughts Asher...