Asher Kelman
OPF Owner/Editor-in-Chief
The 32-64 has been my wonder lens for several years. It’s superbly sharp with wonderful color and contrast. It’s one of the best ever Fuji lenses.
Here I am using the lightweight fast focusing 50mm 3.5 OIS.
I am also upgraded to the GFX 100S which has built in image stabilization and modern phase and contrast autofocus.
Asher Kelman: Laura with Dried Grass & Leaves
GFX 100s, 50mm 3.5 OIS
JPG Fine Processed in Adobe Camera RAW
Portrait Professional Skin Lighting But No Sculpting
I am pleased with the rich colors. Here I have just restarted my studio after Covid shutdown for two years. It was time to upgrade my lights as much of my Lumedyne packs were now no longer functional.
At Will Thompson’s recommendation I changed most of my lights to Godox and reserve the remaining functioning Vintage Lumedyne for hair light, rim light aimed behind the subject and lights for the background.
Comments welcome!
Asher
Here I am using the lightweight fast focusing 50mm 3.5 OIS.
I am also upgraded to the GFX 100S which has built in image stabilization and modern phase and contrast autofocus.
Asher Kelman: Laura with Dried Grass & Leaves
GFX 100s, 50mm 3.5 OIS
JPG Fine Processed in Adobe Camera RAW
Portrait Professional Skin Lighting But No Sculpting
I am pleased with the rich colors. Here I have just restarted my studio after Covid shutdown for two years. It was time to upgrade my lights as much of my Lumedyne packs were now no longer functional.
At Will Thompson’s recommendation I changed most of my lights to Godox and reserve the remaining functioning Vintage Lumedyne for hair light, rim light aimed behind the subject and lights for the background.
Comments welcome!
Asher