Composing B&W pictures and when to crop? Only if one already has one's final vision!
Hi Charlotte,
I like your enterprise in focussing your energy to mastering one thing, the expressive portrait in B&W. Recently you showed a 2 men, a young woman and now a child again.
I like the continuous progress I see. You have not damaged the rich potential of your photograph. This is so much better. I like the eyes and the tilt of the head. However, I do believe that there is more. Try repeating this using her neck too. Cutting off the neck removes some notes in the symphony. The neck has the capability of moving so sinuously and that's not here. The flow of the hair is also a resource that's not used here.
The B&W image is fundamentally a physical expression that should light a fire in us. So when we crop more and more tightly, there better be something else to get us into into the picture.
Composing tightly is an advanced technic that can damage our work when used before one is a sufficient "visionary". I'm not saying one always needs to go wider. Yes, to get needed context that works. I just believe that first we must succeed with the best physical array of texture, shading and form. Only then might we crop more to exclude what's not needed!
Thanks for sharing,
Asher
I'll eventually group together your closely related B&W realistic portrait work in one thread in "Riskit!" so people can follow your path.